Fivaller Pablo Subirats

                   Visual artist, digital creator, and master stained‑glass artisan

"From the tradition of glass and light… to digital imagination. The craft remains the same: creating beauty that awakens emotion."

I am a European visual artist specializing in fine art digital prints, limited edition wall art, and collectible digital artworks for emotionally driven collectors and design-conscious interiors.Born into a family of visual artists, my creative path began among brushes, pigments, and light filtered through glass. Trained in architecture and later in classical, neoclassical, contemporary dance and professional tango, my life has been a continuous search for expression, movement, and aesthetic sensitivity.

Since 1992 I have worked in applied arts and stained glass, directing Vitraux Subirats, an atelier dedicated to heritage stained-glass restoration and contemporary glass art commissions. I have participated in projects for historic buildings, temples, private residences and public spaces, with coverage in press, television, and specialized publications focused on art, design and restoration.

"Stained glass is organized light. Digital art is, too. Tools change; sensitivity remains."

After decades creating and restoring physical works, I now explore the digital dimension of art: reimagining icons, composing visual worlds, and bringing my material sensibility to a territory where light once again becomes the protagonist — now on screens and in museum-quality giclée prints, produced for interior designers, art collectors, and those seeking unique artwork for modern homes.

1. Origins & Artistic Heritage

  Link: (https://vitrauxsubirats/Antecedentes) 

I come from a tradition where art is not learned — it is breathed. My Catalan‑rooted family devoted more than a century to the art of glass, passing down technique, sensitivity, and a deep respect for light.

"Vitraux Subirats is a stained‑glass atelier of Catalan origin. For more than a century, it has been dedicated to creating stained glass and restoring heritage."

Since childhood I grew up among pigments, frosted glass, and time‑honored tools. Art was not just a trade; it was our way of inhabiting the world — and today, it's the foundation of my limited edition digital art for collectors.

2. Education & First Calling: Architecture and Movement

 https://um.edu.ar/arquitectura-urbanismo-y-diseno/

My first formal path was architecture. There I discovered the language of space, proportion, light and void. But I soon understood that my vocation went beyond designing places: I wanted to inhabit form through the body.

Architecture taught me to comprehend space. Dance taught me to be space in motion.
Art called louder and I surrendered to a new discipline: classical, neoclassical and contemporary dance, training with masters and companies that gave me technique, discipline and sensitivity.

It was a period of intense learning, where I realized that beauty arises from both precision and emotion — the same values I apply today to my fine art prints for interior design.

3. International Dance Career

(Images: Contemporary Ballet at Teatro San Martín · Tribute to Astor Piazzolla)

My body was my first artistic instrument. I danced professionally from age 20 to 31, touring theatres, countries and emotional states that only the stage can offer.

At the Contemporary Ballet of Teatro San Martín in Buenos Aires I lived the intensity and total devotion of movement. Dance taught me discipline and poetry: the language where the body thinks and emotion speaks.

Later, tango gave me another voice: intimate, human, visceral. I had the honour of performing a live tribute to Astor Piazzolla after his stroke as a gesture of gratitude to a creator who redefined Argentine music and feeling.

Dance taught me risk, truth and absolute presence. On stage I discovered that art isn’t what is shown — it is what is transmitted. This emotional clarity now drives my work as a digital artist creating emotional wall art for those who seek more than decoration.

 🎥 (https://www.youtube.com/results?search_query=pablo+subirats+tango)

4. Return to Material Art — the Birth of Vitraux Subirats (1992)

(Image: stained‑glass workshop / tools – link to “https://vitrauxsubirats/The Atelier”)

In 1992 I returned to the origin: the workshop, the glass, light turned into matter. That’s when Vitraux Subirats was born, a space where family tradition and the Renaissance craft became present and future.

"Dance gave me art in movement; stained glass, the living and luminous dynamic."

I learned stained glass as one learns a secret: in silence, watching, listening to those who came before. With fire, patience and precision. With respect for light, for time, and for the hand.

"Vitraux Subirats is a stained‑glass atelier with Catalan roots. For over a century it has been dedicated to stained‑glass creation and heritage restoration."

Here began a new chapter: that of the artist who works with light from inside the material, not just through the body — today continued in my digital reinterpretations of stained glass and symbolic visual compositions for print.

5. Heritage Restoration & Iconic Works

(Images: stained‑glass works + press & TV links)

For decades the atelier Vitraux Subirats has intervened in spaces of high artistic and heritage value, bringing historic stained glass back to life across generations. Restoration for me is not just technical reconstruction: it is an act of memory, respect and artistic sensitivity.

"Four generations of artists. Over 100 years of experience in stained‑glass creation and historic‑artistic restoration." — Vitraux Subirats

"Gifted with the exquisite fusion of art and craft, Pablo Subirats personally oversaw the recovery of several key pieces in the theatre." — El Cronista, March 25, 2010

These values carry into my digital art, where each composition is treated as a visual poem — a modern collectible for those seeking emotive fine art prints with story and depth.

Link to press: (https://www.cronista.com/impresa-general/La-restauracion-de-los-vitrales-20100325-0023.html)

Restoration implies rigorous technique — fire, lead, glass, pigment and patience — combined with an aesthetic vision that honours the original essence and brings it into the present. Every restored stained glass is a silent conversation between times.

Links:
• Restoration projects: (https://www.clarin.com/arq/pinturas-luz-vitrales-maravillas-teatro-colon_0__zKrPxZq_.html)
• Press: (https://www.vitrauxsubirats.es/prensa/)

6. The Leap into Digital — Light in a New Dimension

(Image: digital artwork – link to 5.Fine Art Prints | Dragon Art | The dragon's twylight – Mi tienda)

The shift into digital art was not a turn: it was a continuation. After working with light in glass, I discovered a new territory where light no longer penetrates material — it originates from pixels.

Light ceased to be reflection and became pure creation.

Just as stained glass transforms the outside world into colour and emotion, digital art allows me to imagine light from within, build impossible atmospheres, expand symbols, re‑imagine the eternal.

"Technology doesn’t replace the artist: it expands him. The hand still guides. The eye still decides. Time and intention remain the true material."

Digital art is my new window. The craft is the same: to transform emotion into form.
Instead of lead and fire, today I work with algorithms and generative layers of light, creating exclusive digital artworks for collectors and interior art pieces for refined homes.

Link: (https://vitrauxsubirats.es)

7. Subirats D’Art — My Current Vision

(Image: contemporary digital artwork collage)

My current project, Subirats D’Art, is the natural evolution of an artistic trajectory guided by emotion, technique and respect for matter — whether glass, pigment or pixel.

"Technology for me does not replace the artist: it expands him. It allows me to transform memory into vision, tradition into future, light into emotion."

These limited-edition digital art prints are designed for those seeking evocative wall art, art with emotional depth, and unique visual statements in their space.